ALL ABOUT E
– Girls Own Pictures (sound post production)
WYRMWOOD
– Guerilla Films (sound post production)
GODDESS
– The Film Company/Wildheart Films (total sound post production)
REDD INC.
– Green Light Productions (total sound post production)
BLACK & WHITE AND SEX
– All At Once/Wintertime Films (total sound post production)
THIRST
– Imagine Films International (total sound post production)
MY AMERICA
– Freshwater Pictures/Soul Vision Films (total sound postproduction)
NEEDLE
– Filmscope Entertainment (total sound post postproduction)
GRIFF THE INVISIBLE
– Green Park Pictures (Foley, ADR, final re-recording mixing facilities)
JUCY
– KCDC/Bunker Productions International (sound re-recording mixing)
THE NOTHING MEN
– Alchemy Film Productions (foley recording)
PRIMAL
– Primal Films (ADR recording, final re-recording mixing)
CAUGHT INSIDE
– Flying Fish (total sound posproduction)
THE CLINIC
– GSL Entertainment (total sound postproduction)
BROKEN HILL
– Audience Alliance Motion Picture Studios, Element 115 Productions & Cyan Films (total sound postproduction)
FREESTYLE
– Fifth Floor Films/Campbell Graham (ADR recording)
BRIGHT STAR
– Jan Chapman Productions (total sound postproduction)
• Best Achievement in Sound for Film Sound Design nomination, ASSG Awards 2010
• Best Achievement in Sound for Film Sound Mixing nomination, ASSG Awards 2010
• Feature Film Soundtrack of the Year nomination, ASSG Awards 2010
• Best Sound nomination, IF Awards 2010
CEDAR BOYS
– Templar Entertainment (total sound postproduction)
• Feature Film Soundtrack of the Year nomination, ASSG Awards 2009
CRUSH
– Nexus 6 Films (total sound postproduction)
THE COMBINATION
– See Through Films (Foley, ADR, sound re-recording mixing)
• Best Achievement in Sound for Film Sound Mixing nomination, ASSG Awards 2009
• Feature Film Soundtrack of the Year nomination, ASSG Awards 2009
THREE BLIND MICE
– Dirty Rat Films (total sound postproduction)
• Feature Film Soundtrack of the Year nomination, ASSG Awards 2009
CROOKED BUSINESS
– Nyst Entertainment (foley, sound re-recording mixing)
FRAGMENT
– Multivision/Production Group (total sound postproduction)
THE VIEW FROM GREENHAVEN
– MacRae Brothers/Screentime (total sound postproduction)
• Feature Film Soundtrack of the Year nomination, ASSG Awards 2009
CROSS LIFE
– Sol Films (sound re-recording mixing)
ALL MY FRIENDS ARE LEAVING BRISBANE
– Louise Alston/Bunker Productions (total sound postproduction)
ON THE EDGE OF EDEN
– White Light Pictures (ADR recording, re-recording mixing)
ROMULUS, MY FATHER
– Richard Roxburgh/Arenafilm (foley and ADR recording, sound re-recording mixing facilities)
GABRIEL
– Shane Abbess/HILT Productions (total sound postproduction)
HAPPY FEET
– Kennedy Miller Productions (additional sound premixing facilities)
48 SHADES
– Prima Productions (foley recording, sound re-recording mixing)
LEFT EAR
– Red Rug (total sound postproduction)
STARDUST
– Paramount Pictures UK (additional foley recording)
LADY GODIVA
– Jewson Film Productions UK (foley recording)
KOKODA
– GFN Productions (sound post production, sound re-recording mixing)
• Best Achievement in Sound for Film Sound Design nomination, ASSG Awards 2006
• Best Achievement in Sound for Film Sound Mixing nomination, ASSG Awards 2006
• Feature Film Soundtrack of the Year nomination, ASSG Awards 2006
LAST TRAIN TO FREO
– Longway Films (Taylor Media/Pork Chop Productions co-production) (total sound postproduction)
• Feature Film Soundtrack of the Year nomination, ASSG Awards 2006
FEED
– Brett Leonard – All At Once (foley recording, sound re-recording mixing)
SAFETY IN NUMBERS
– Safety In Numbers/Multivision 235 (total sound postproduction)
DECAMERON
The Dino De Laurentiis Company – Director, David Leland (foley recording services)
MINOTAUR (2005)
– First Look Media, Meltemi Prods (UK), Evangelides, CMW Films (Germany), Telema (France), Kanzaman (Spain) and Buskin (Italy) – Director: Jonathan English (foley recording services)
POBBY & DINGHAM
– Producers: Lizie Gower, Nick Morris, Emile Sherman- Dir: Peter Cattaneo (foley recording services)
THE ILLUSTRATED FAMILY DOCTOR
– Pod Films (total sound postproduction)
A MAN’S GOTTA DO
– Oilrag Productions (total sound postproduction)
• Best Achievement in Sound for Film Sound Mixing, ASSG Awards 2005
UNDER THE RADAR
– Pictures In Paradise (total sound postproduction)
• Best Achievement in Sound for Film Sound Design, ASSG Awards 2004
THE CROP
– Miracle Productions (total sound postproduction)
LOVE IN THE FIRST DEGREE
– Half Mute Productions (total sound postproduction)
UNDEAD
– Spierig Film (sound re-recording mixing)
LIQUID BRIDGE
– Avalon Films Corporation (sound re-recording mixing)
BLURRED
– Blurred Entertainment (sound re-recording mixing)
GARAGE DAYS
– Mystery Clock Cinema (total sound postproduction)
- Best Achievement in Sound nomination (AFI Awards 2002)
BENEATH CLOUDS
– Autumn Films (total sound postproduction)
SUBTERANO
– Becker Entertainment – (sound re-recording mixing)
MUSA ( a.k.a. THE WARRIOR )
– Sidus Corporation, Korea (total sound postproduction)
MY MOTHER FRANK
– Intrepid Films (total sound postproduction)
- Best Achievement in Sound for a Feature Film – Soundtrack of the Year (ASSG Awards 2000)
- Best Achievement in Feature Film dialogue and ADR (ASSG Awards 2000)
- Best Achievement in Feature Film Foley (ASSG Awards 2000)
LOOKING FOR ALIBRANDI
– Belle Ragazze Pty Ltd (total sound postproduction)
PAPERBACK HERO
– Paperback Films (total sound postproduction)
- Best Australian Film Soundtrack (ASSG Awards 1999)
OCCASIONAL COURSE LANGUAGE
– Flickering Films (total sound postproduction)
JUSTICE
– West Coast Pictures (total sound postproduction)
RADIANCE
– Eclipse Films (total sound postproduction)
- Best Achievement in Feature Film Sound Effects (ASSG Awards 1998)
A LITTLE BIT OF SOUL
– Faust Films (total sound postproduction)
HAPPY ENDING
– MBC Production Co. Ltd, Korea (total sound postproduction)
WANTED
– Cine 2000, Korea (sound recording & editing facilities)
DOING TIME FOR PATSY CLINE
– Oilrag productions (total sound postproduction)
- Best Achievement in Sound nomination (AFI Awards 1997)
THANK GOD HE MET LIZZIE
– Stamen Films (total sound postproduction)
LOVE UNTIL …
– Manifesto Films (total sound postproduction)
LITTLE WHITE LIES
– John Sexton Productions (total sound postproduction)
IDIOT BOX
– Central Park Films (Foley & ADR recording)
GINGKO BED (a.k.a. EUNHAENGNAMOO CHIMDAE)
– Shin Cine Communications, Korea (sound editing and re-recording mixing facilities)
KARUNA
– Il-Moc Film Productions, Korea (sound editing and re-recording mixing facilities)
BLACKWATER TRAIL
– John Sexton Productions (total sound postproduction)
ALL MEN ARE LIARS
– John Maynard Productions (total dialogue replacement ADR recording)
MUSHROOMS
– Rosen Harper Entertainment (total sound postproduction)
- Best Achievement in Sound nomination (AFI Awards 1995)
VACANT POSSESSION
– Wintertime Films (total sound postproduction)
- Best Achievement in Sound nomination (AFI Awards 1995)
THE SUM OF US
– Quicksilver Productions (total sound postproduction)
- Best Achievement in Sound nomination (AFI Awards 1994)
THE ROLY POLY MAN
– Rough Nut Productions (total sound postproduction)
TALK
– Suitcase Films (total sound postproduction)
BEDEVIL
– Anthony Buckley Productions (Foley recording & re-recording mixing facilities)
BROKEN HIGHWAY
– Black Ray Films (ADR & Foley recording, sound editing &
re-recording mixing facilities)
SHOTGUN WEDDING
– David Hannay Productions (total sound postproduction)
- Best Achievement in Sound nomination (AFI Awards 1993)
BREATHING UNDER WATER
– Periscope Productions (total sound postproduction)
- Awarded Special Achievement in Sound Design (AGSC 1992)
THE RUSSIA HOUSE
– Paul Maslansky, Fred Schepisi (additional ADR editing)
RETURN TO BLUE LAGOON
– Columbia Pictures (ADR recording, Sydney)
AN ANGEL AT MY TABLE
– Hibiscus Films (total sound postproduction)
- Finalist Award – Contribution to a Soundtrack (New Zealand Film Awards 1990)
SWEETIE
– Arenafilm Pty Ltd (total sound postproduction)
PANTHER I
– Virgo Productions (total dialogue replacement ADR recording)
PANTHER II
– Virgo Productions (total dialogue replacement ADR recording)
VICIOUS (a.k.a. TO MAKE A KILLING)
– Hannay Productions (total sound postproduction)
OUT OF THE BODY
– Hannay Productions (total sound postproduction)
KADAICHA
– Hannay productions (sound re-recording mixing)
13TH FLOOR
– Hannay Productions (total sound postproduction)
CONTAGION
– Reef Films (total sound postproduction)
REMEMBER ME
– Jim McElroy Productions (sound design and editing)
INDECENT OBSESSION
– PBL (sound design and editing)